By James Phelan, Peter J. Rabinowitz
The 35 unique essays in A spouse to Narrative Theory represent the easiest on hand creation to this very important and contested box of humanistic enquiry.
- Comprises 35 unique essays written by way of top figures within the field
- Includes contributions from pioneers within the box corresponding to Wayne C. sales space, Seymour Chatman, J. Hillis Miller and Gerald Prince
- Represents all of the significant severe ways to narrative and investigates and debates the relatives among them
- Considers narratives in several disciplines, comparable to legislations and medicine
- Features analyses of a number of media, together with movie, track, and painting
- Designed to be of curiosity to experts, but available to readers with little previous wisdom of the field
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Additional resources for A Companion to Narrative Theory (Blackwell Companions to Literature and Culture)
Similarly, narratologists argued that the structural analysis of narrative should not be viewed as a handmaiden to interpretation. The aims of narratology were, rather, fundamentally taxonomic and descriptive. Structural analysis of stories concerned itself not with what narratively organized sign systems mean but rather with how they mean, and more specifically with how they mean as narratives. The narratologists therefore adhered to Jakobson’s (1960) distinction between poetics and A Genealogy of Early Developments 31 criticism; in privileging the code of narrative over particular stories supported by that code, they pursued narrative poetics, not narrative criticism.
These appeals, in turn, place a particular ethical burden on the audience since recognizing the writer’s experience also entails doing something with that recognition. Finally, in a discussion of materiality, Smith and Watson note that contemporary mixed media autobiography raises questions about the links among the body, the medium of representation, and the autobiographical subject. Like so many essays in the collection, this one ends in a kind of selfconscious spin: all four trouble spots, Smith and Watson contend, simultaneously receive illumination from and offer challenges to contemporary narrative theory.
Her method is to focus on decisions about whose portrait/ Introduction 11 biography gets included in galleries of literary figures and at sites designed to memorialize significant parts of American history such as Mount Rushmore and the Hall of Fame of Great Americans. In each case, Booth traces a complex interaction among the choice of an individual portrait (and its implied biography), the development of a collective portrait (for which she uses the term ‘‘prosopography’’), and the significance of that collective portrait for the larger national community.
A Companion to Narrative Theory (Blackwell Companions to Literature and Culture) by James Phelan, Peter J. Rabinowitz