By Douglas Foster
Crucial ancient and journalistic portrait up to now of a country whose future will ascertain the destiny of a continent. A brutally sincere exposé, After Mandela offers a sobering portrait of a rustic stuck among a democratic destiny and a political meltdown. contemporary works have targeted totally on Nelson Mandela’s transcendent tale. yet Douglas Foster, a number one South Africa authority with early, unheard of entry to President Zuma and to the subsequent iteration within the Mandela kinfolk, strains the nation’s complete post-apartheid arc, from its celebrated beginnings below “Madiba” to Thabo Mbeki’s tumultuous rule to the ferocious conflict among Mbeki and Jacob Zuma. Foster tells this tale not just from the perspective of the rising black elite but in addition, drawing on hundreds and hundreds of infrequent interviews over a six-year interval, from the views of standard voters, together with an HIV-infected teen residing outdoors Johannesburg and a homeless orphan in Cape city. this can be the long-awaited, revisionist account of a rustic whose fresh background has been not only ignored yet mostly neglected via the West.
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Additional info for After Mandela: The Struggle for Freedom in Post-Apartheid South Africa
I know two interesting magazines with editors in their thirties, Acts and House of K, but I am unaware of any substantial magazine run by anyone in her or his twenties. -and presenting themselves in the context of those they admire. A new generation of restless disciples that will pick up the threads of the "New American" poets, the Caterpillar generation, and the isolated individuals who have emerged since. One that will discover all that's been happening in world poetry since American poets generally stopped translating.
Word processing is essentially a means of manuscript production that eliminates retyping. A labor-saving device: n o more, no less. Yet, like most labor-saving devices, it results in far less labor. In the era of microwave ovens nearly no one has the time t o bake their own bread. Before the word processor and the Xerox machine, when manuscripts were written out and copied by hand, the tripledecker novel and the book-length poem were the norm- think of Baudelaire's quip that the long poem was the refuge of those incapable of writing short poems- not t o mention voluminous diaries and correspondence.
Auden's far-reaching and witty rhymes lose much of their charm after a glance through the computer-generated Penguin Rhyming Dictionary (with its hundred rhymes for "Freud," but only one, "broaden," for "Auden"). Rhyme- lately championed again by young conservatives- becomes more than ever a question of selection rather than invention. But this is not "word processing," that wonderful phrase that turns writing into packaged cheese. ) Word processing is essentially a means of manuscript production that eliminates retyping.
After Mandela: The Struggle for Freedom in Post-Apartheid South Africa by Douglas Foster